
Amelie is a girl who has been isolated during childhood with her rather eccentric parents. Te death of her mother in a freak accident and the reclusion of her father force her to amuse herself by retreating to her own imagination. She grows and becomes a waitress. She leads a simple and single life. While she has not found satisfaction in a romantic relationship herself, she imagines things like counting how many people are having orgasms in a given moment. Soon, however, Amelie discovers a mission to pursue, namely returning a box of childhood nick-knacks that she found in her apartment to its rightful owner and enjoy his sentiments as he receives it. In the process she gets involved in multiple people's lives and seeks to improve their situation. The didacticism plays in, however, when the "Glass Man" calls her to question as to why she helps others but cannot come to help herself.
Amelie is a masterpiece at the combination of cinematic elements. The pacing is quick and light, and the camera (if fixed on anything for a long period of time) is always on some path of smooth motion changing the frames and manipulating meaning and rhythm. The colors throughout the film are bright and semi-saturated. Amelie can often be seen in red, a color that draws her to the forefront of every scene despite her unsociable personality. Each character is dressed rather ornately in the same color scheme and sometimes even pattern as the place they reside in or or often seen. The fantasy of the story is mostly due to the eccentricity of the characters and the juxtaposition of situations that seem especially strange to us as Americans. Amelie also utilizes the cinematographic effects of sound masterfully. The entire credits scene centers around fun sounds that Amelie makes in an enjoyably childish manner complemented by vibrant reds and greens. Throughout the film we hear what her acute ear does as well, that is predictive and detailed observations. Her silence and smiles contribute to the idea of us appreciating this view of Paris through Amelie's lens.

I like the observations you made about the clothing and surrounding decorations; Amelie, despite her insociable nature, is always at the forefront because of her vivid dress.
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ReplyDeleteI liked how you described the eccentricity of the characters and the unfamiliar juxtaposition of situations as what makes one of the film's genres as fantasy. Normally, we would depict fantasy genre as one like Pan's Labyrinth where it is completely visually belonging only to imagination.
ReplyDeleteI like how you brought in an outside source and addressed the film's relation to Hollywood. The synopsis is informative and interesting. The subtle analysis in the synopsis such as the clothing was a good idea.
ReplyDeleteI did not notice Amelie's continued primary presence in each scene until you mentioned it. I also like how you described how characters are portrayed by their surroundings and clothing. The colors and lighting really bring out the personal characteristics out of each character.
ReplyDeletethe observations were well stated and give a great feel for the film. This post did a good job of engaging the reader and making them want to see the film. While it seems somewhat like you are talking the film up extremely high it still has a good effect. Good job on the post.
ReplyDeleteI appreciate how you mentioned how we see through Amelie's vision because of her her silence and smile. This blog was very clear and showed multiple aspects of Amelie. I like your pictures with the vivid colors of the background and using your images with the red lipstick against the pale skin.
ReplyDeleteI thought that your comment on how mis-en-scene relates to the character traits of Amelie was very important. For example, you wrote that her red dresses brought her to the forefront of the audiences attention despite her unsocial tendencies. It was very similar to how the girl in the painting staring blankly off grabs "the glass man's" painting.
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